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OPUS 1

by AZAMAT

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1.
Oh happiness, are you just a wish? A tango piano rhythm combined with a violin and a flight of voice.
2.
Odyssey 11:38
Gladly then did goodly Odysseus spread his sail to the breeze (Homer. Odyssey. Book V-270) In eternal search of the good. Ghostly glossolalia held by sounds of an organ and waves of oscillating sequences.
3.
Genesis 05:11
You, change, are such a stubborn thing to stop. It seems that yet we are in a process of becoming. There used to be eternity that wished forever last. I feel forlorn. Let’s play the time that now I’m occupying. Distant and nostalgic notes of piano and synthesisers, pulsating rhythm of the clock, and choir against the background of impending drama.
4.
Philomela 09:24
The symbol of the song – Philomela. Opera singing next to synth arpeggios that evoke the emotion of the first encounter with a song.
5.
She is 07:59
One needs not many words about her. A solo performance of sounds of electronic instruments with a sudden choir coda.
6.
“It seems that there is more human in a child.” The first reflection surrounded by the anxiety of music-electronic machines. NB. Big gratitude to the children Tasya, Gleb and Nastya and their parents for the opportunity to record the children's sincere talk.
7.
All meanings come from childhood. The second reflection against the background of a melody of a tiny grand piano played by children’s hands, fluctuation of rhythm-machines and choir staccato. NB. Big gratitude to the children Tasya, Gleb and Nastya and their parents for the opportunity to record the children's sincere talk.
8.
Time closes up in itself. Odysseus comes back home. The final composition of the album that symbolises a happy resolution of its drama. Piano and choir sounds, pulsating sequences, rhythmic lines and flute sounds that gradually take us into an emotionally deep journey.

about

My new album Opus 1 released on October 24th at Gazgolder club label.

The album is a daring combination of traditional classical forms and timbral capacities of electronic music. Each piece of music is permeated with the sound of analogue instruments together with vanguard blend of glossolalia, choir and opera singing.
The album making, commenced in 2016, is the result of Azamat’s aspiration for a new approach in performing live electronics.

Azamat Murzaev – composer, producer; keyboards.
Ri Vinogradova – vocals.
Vera Maslova and Natalia Tchuviurova – backing vocals.
Genghis Khannanov – piano, keyboards.
Mikhail Nesterov – mixing.
Andres Mayo (a Grammy-winning audio engineer) – mastering.
Yada Polish – artwork.

credits

released October 24, 2018

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AZAMAT Moscow, Russia

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